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Wild Krumpos

The Allis-Chalmers WD

Don Krumpos

Event Date: 1978–1985 Drafted: 2025-11-23

The Allis-Chalmers WD was the largest living creature on our little hobby farm, although of course it wasn’t alive. To me it felt alive: a friendly, orange-bellied giant that slumbered in the tractor shed until Dad woke it with the glow plug and a twist of the choke.

I can still hear that sound:

a sharp gasoline cough followed by a hopeful sputter and then the steady, eager chatter of an engine that had seen decades of work.

Unlike the newer tractors neighbors had — big diesels with boxy frames — our WD had personality. You could see its muscles: every rod, spring, bolt, and belt exposed. The long orange hood, the boxy lines softened by curves, the way the engine thumped like a heartbeat.

Dad would climb up first, planting a boot on the drawbar, then the fender, then the seat. I’d follow, smaller boots on the same pilgrimage, Dori circling below, tail wagging like she wanted to climb aboard too.

The steering wheel was huge — too big for a kid — but Dad let me put both hands on it, feeling the weight of real machinery tug against my arms. He’d rest his palm lightly next to mine, letting me think I was steering long before I truly could.

There was no cab. No safety frame. No padding. The world was right there — wind in your face, sun on your shoulders, the smell of gasoline and crushed grass mixing into a perfume that meant summer.

Sometimes Dad drove the WD only a few dozen feet: from the shed to the central yard, or out to haul a trailer. Other times he drove it down Van Laanen Road, orange paint glowing like a lantern in the Wisconsin sun. Cars didn’t honk. They slowed respectfully and passed like pilgrims passing a relic.

Dori would trot behind the tractor as long as she could, ears flopping, tail ready to keep up with whatever adventure the WD promised.

If childhood has guardian spirits, the WD was one of mine — big, steady, patient, noisy, warm. A machine that felt like a friend.

Wild Krumpos

Betty Krumpos’s journals, 1979–1990, and the stories around them