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Wild Krumpos

The Cost of Work

Don Krumpos · Childhood · Family · Marriage · Memoir

I grew up believing my father could do almost anything.

He could fell trees, pour concrete, rebuild chimneys, coax tomatoes from difficult soil, repair old machinery with improvised brilliance, and somehow keep a farmstead, a house, gardens, animals, and a family moving at once.

As a child, I took this capability as elemental, like weather.

Only later did I understand what powered it.

Work.

Relentless work.

And how much it worried my mother.

One summer, in the back garden, that worry became visible.

The garden was no hobby patch. It was substantial—rows and rows of labor, vegetables meant not just for pleasure but for feeding us, canning, storing, sustaining. In summer heat it shimmered with seriousness.

And my father pushed himself in it the way he pushed himself in everything.

Too long.

Too hard.

I remember the day of the heat stroke less as a sequence than an atmosphere of alarm. Adults moving suddenly with urgency. My father, who seemed indestructible, brought low by heat and exhaustion. The trip to the emergency room, which alone made it feel grave.

It startled me in the way children are startled when gods bleed.

Because fathers are not supposed to collapse.

Not yours.

My mother, though, was less surprised.

She had always worried.

Worried about the pace he kept.

About the risks he normalized.

About the way every project seemed to ask one more exertion than was prudent.

She understood something even then that I only understand now: devotion can overrun the body carrying it.

And there were so many smaller warnings.

The grapevine in the eye.

I can still picture him harvesting, reaching into the dense tangle of leaves and tendrils, and some branch or vine lashing into his eye hard enough to send him for treatment. Even this became almost part of the family’s folklore.

Of course Keith injured himself gardening.

Of course.

He was always coming in scratched, nicked, bruised.

Hands roughened.

Forearms crosshatched from brambles or brush.

Shins barked from work.

There seemed no project without blood tax.

At the time these were almost comic to me, part of his myth as tireless maker.

Only later did I see the harder truth beneath it.

He was spending himself.

And not for abstraction.

For us.

That matters.

Because his labor was rarely self-aggrandizing. It was not restless busyness for its own sake.

It was provision.

He was trying to save money, yes—doing himself what others might hire out.

But it was more than thrift.

It was care expressed through effort.

The chimney he rebuilt.

The trees he felled.

The floors he poured.

The grapes he harvested.

The vegetables he pushed himself toward in punishing heat.

All of it was part of making a life.

And I think my mother knew both the beauty and danger of this.

She admired it.

And feared it.

There is something very old in that tension.

The worker who cannot stop.

The spouse who says enough.

The love language that arrives as labor, and the counter-love that asks for preservation.

I suspect many marriages orbit this without naming it.

As a boy I mostly saw the heroic side.

My father could do anything.

Now I also see the cost.

And, more tenderly, I see my mother’s vigilance as a form of love equal to his labor.

He kept building.

She kept watching over the builder.

Both were ways of holding a family.

Those scratches and mishaps were almost stigmata of ordinary domestic devotion—little wounds accumulated in the service of sustaining a household.

Not grand sacrifice.

Daily sacrifice.

Less dramatic, perhaps, but no less real.

And maybe that is why the heat stroke remains vivid.

Because for a moment the machinery stopped.

The body that powered so much faltered.

And everyone saw what had been risked.

I inherited some of this from him, I think—this instinct to overdo, to keep improving, keep fixing, keep making one more thing before resting.

And I hear my mother’s concern echoing in me sometimes when I push too hard.

A warning carried forward.

Maybe that too is inheritance.

Not just the work ethic.

But the caution shadowing it.

When I remember my father now in the back garden, I do not picture only abundance.

I see sweat darkening a shirt.

Sun bearing down.

Hands in the soil.

A man refusing to quit.

And somewhere nearby, my mother worrying he will not stop in time.

Wild Krumpos

Betty Krumpos’s journals, 1979–1990, and the stories around them